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Shelter II: Embodying Femininity

June to August 2023: Grimsby Public Art Gallery Exhibition Website

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Photo Credit: Jordyn Stewart

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EMBODYING FEMININITY:

POWER, RADIANCE, CARE

 

Inspired by her personal struggles around her own femininity and its value, Sharl G. Smith’s recent work explores the history of women’s work and domestic care under the lens of an abuse of natural feminine tenderness, care, and love. The invisible labour of women, especially in domestic work, creates nourishing environments for growth, stability, and care. Placing an emphasis on the intrinsic value of femininity, a universal principle that is present in all humans regardless of gender identity, Smith’s work aims to underscore the contributions of women, including the domestic space, as equally essential to the contributions of men.

 

Embodying Femininity: Power, Radiance, Care embodies these thoughts in a site-specific installation that celebrates women’s work and the long history of women artists whose craft was excluded from conversations in fine art. Constructed using bead-stitching, the life-sized sculpture celebrates weaving and textiles, mediums that have traditionally been categorized as domestic and feminine, and brings to the forefront the idea that such traditionally categorized mediums have served as particularly potent tools to engage with feminist issues in modern and contemporary art. Fortified with a special capacity to express women’s diverse perspectives and stories through their historical associations with femininity, Smith’s sculptural beadwork, Shelter II, is the perfect example of dismantling stereotypes while tapping into different and nuanced experiences of womanhood.

 

Originally from Jamaica, Sharl G. Smith is a Waterloo based artist who works primarily in hand-stitched bead sculpture. Smith is self-taught, using her background in architecture to inform and shape her practice. Inspired by her experience working in Zen Buddhist architectural design, Smith has a deep appreciation for the concept of “process as practice.”

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- Alexandra Hartstone

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